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Feminist Sonographies of Situated Listening / sono(soro)ridades collective
Feminist Sonographies of Situated Listening is an immersive audio installation that maps out the research connections between the multidisciplinary individual practices of the sono(soro)ridades collective. This project is part of our process to enact our approach to what we call “decolonial feminist methodologies in sound” as a contribution to the field of research-creation. The installation…
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Red Sono(soro)ridades @ LASA 2023 The Right to Listen
Victoria Polti, Freya Zinovieff, Amanda Guitiérrez, and Laura Balboa members of the RED SONO(SORO)RIDADES presented in LASA 2023 as part of the panel THE RIGHT TO LISTEN: COLONIALITY, AURAL REGIMES AND TECHNOPOLITICAL ACTIVISMS organized by AMANDA GUTIERREZ, chaired by VICTORIA POLTI with GABRIELA ACEVES SEPULVEDA as discussant The presenters discussed various engagements with sound methodologies,…
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sono(soro)ridades at The Institute of Knowledge, U of A, May 16 – June 10, 2023
Really excited to be part of the exhibition at The Institute of Knowledge at The University of Alberta from May 16- June 20, 2023. Our collective sono(soro)ridades will present the audio installation Feminist Sonographies of Situated Listening. sono(soro)ridades is an ad-hoc group of feminist sound artists, activists and scholars interested in investigating the affective and…
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Sono(soro)ridades: Feminismo, Sonido y Activismo en Latino América @ LASA 2022 May 6, 2022
En este panel organizado por Gabriela Aceves Sepúlveda y Amanda Gutiérrez y moderado por Gabriela Aceves Sepúlveda partimos de la concepción de la antropóloga mexicana Marcela Legarde y proponemos la sono(soro)ridad (2021) para investigar la dimensión no-binaria, ética, política y práctica de los feminismos contemporáneos a través del sonido. Mediante este concepto nos interesa explorar…
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sono [soro]ridades @ Encuentro de redes sono-sororas / Tecnofeminisms from the South
Amanda Gutiérrez, Freya Zinovieff, Laura Balboa, and Gabriela Aceves presented their ongoing collaborations and the development of sono(soro)rities, as a theoretical and methodological framework to explore the affective and political dimensions of sound as part of the panel; “With one foot in Academia”. The panel included presentations from various Latin American -based feminist collectives working…
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Sono-Soro[ridades]: Feminist interventions in Sound Art @ SONORIDADES FRONTEIRIÇAS 2 – JUNE 9-11 2021
We are excited to announce that as part of cMAS’ efforts to build connections with researchers across the Americas we are initiating our collaboration with Borderline Sonorities ( Sonoridades Fronteiriças) organized by the Brazilian based research group GEIST (Study Group on Images, Sound and Technologies) led by Prof. José Cláudio S. Castanheira from the Federal…
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Hacía otra historia de la música electrónica y el arte sonoro: Mujeres compositoras en Latinoamérica, 1889-1980 @ REA 10 Dec 2022
Gabriela Aceves Sepúlveda discutió avances de una investigación que aborda un vacío en las historias globales de las artes mediáticas al investigar la vida y obra de cuatro compositoras latinoamericanas cuyas trayectorias profesionales atravesaron las principales redes mundiales de producción musical y de arte experimental durante el siglo XX. Esta investigación se centra en desentrañar…
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Sounding Difference @ RE SOUND Media Art Histories Conference, August 19-23 2019.
Sounding Difference is an academic track organized by Gabriela Aceves Sepúlveda and Freya Zinovieff. It is part of an ongoing research project that explores how axes of differences can be illuminated through practices of sound and listening. It brings together Aceves Sepúlveda’s interests in crafting alternative historical narratives that make audible the voices and practices…
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International Colloquium of Graphic Notation, Mexico City, September 12-14, 2018
Thanks to Cinthya García Leyva(ACT/UNAM), Susana González Aktories (FFyL/UNAM), Barbara Ventarola (FU Berlin), Georg Witte (FU Berlin) and everyone at ACT arte, cienciay tecnología for inviting me to present the work of Uruguayan composer Carmen Barradas at the Colloquio Internacional de Notación. It was an honor to present with Llorenç Barber, Patricio F. Calatayud and Carlos…
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Hacía otra historia de la música electrónica y el arte sonoro: Mujeres compositoras en Latinoamerica, 1880-1980
Thanks to Ana María Romano for inviting me to present my new research projet on Women Composers in Latin America in the Festival En Tiempo Real. Nuevos Encuentros Sonoros in Bogota, Colombia. I am so grateful also to everyone in the audience for their interesting questions and suggestions. Muchas Gracias!
