Diasporic Worldings
(16 min. HD video w/sound)
Diasporic Worldings
( 16 min HD video w/sound)
(Urban Screen, Libby Leshgold Gallery, Emily Carr University 2025-26
Body as Border: Traces and Flows of Connection
(HD video w/sound and AI-generated images)
Body as Border: Traces and Flows of Connection
(HD video w/sound and AI-generated images)
Urban Screen, Surrey Art Gallery 2022
Mitochondrial Ontologies: Deep Time and the Digital
(HD video w/sound and AI-generated images)
Feminist Sonographies of Situated Listening
(Sound installation, radio FM transmitters and graphics)
Witnessing
(Generative art installation, website and zine)
Reading Diaspora/Reading Migration
(Interactive web-based project)
Reactivating Mama Pina's Cookbook
(Interactive web-based project and video installation)
The Real, the Virtual and the We ( Re-activating Lygia Clark's The I and the You Body/Clothing/Body, 1967)
(Live performance, video and AI generated images)
Untitled 3 from the writing with dehydrated placenta grounds series
(Ground placenta and digital prints)
Tambadoras Dancing with the Palo River
(Video and web project)
La migración como método y tema de investigación- creación / Migration as theme and method for research-creation
(Seminar and workshop)
Body as Border: Traces and Flow of Connections (2022) prOphecy sun, Freya Zinovieff, Gabriela Aceves Sepúlveda and Steve DiPaola. Video Still. Body as Border: Traces and Flow of Connections (2022) prOphecy sun, Freya Zinovieff, Gabriela Aceves Sepúlveda and Steve DiPaola. Installed at Urban Screen, Surrey B.C.

cMAS is a feminist research-creation studio formed by a community of artists, researchers, and scholars working at the intersections of art, science, and technology.

Together, we engage with history, theory, and practice to examine how old and emerging technologies shape cultural narratives, artistic forms, and embodied experiences. Our work is grounded in feminist theories, decolonial perspectives, and research-creation methodologies that value collaboration, situated knowledge, and experimentation as modes of inquiry.

The projects we create investigate the possibilities and implications of working across disciplines. These projects take many forms, including exhibitions, scholarly publications, public performances, experimental videos, generative artworks, digital graphics, printed zines, artists’ books, and other multimodal formats.

cMAS is directed by Dr. Gabriela Aceves Sepúlveda and shares space with Dr. Kate Hennessy’s Making Culture Lab in the School of Interactive Arts and Technology at Simon Fraser University’s Surrey campus. Our work takes place on the unceded territories of the Semiahmoo, Tsawwassen, Kwantlen, Katzie, Kwikwetlem (kʷikʷəƛ̓əm), and Qayqayt First Nations.

Images: Diasporic Worldings; Mitochondrial Ontologies: Deep Time and the Digital; Bodies as Border: Traces and Flows of Connection.