News
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sono [soro]ridades @ Encuentro de redes sono-sororas / Tecnofeminisms from the South
Amanda Gutiérrez, Freya Zinovieff, Laura Balboa, and Gabriela Aceves presented their ongoing collaborations and the development of sono(soro)rities, as a theoretical and methodological framework to explore the affective and political dimensions of…
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Lois Klassen @ INSPIRE Seminar Series: Research and Creation in Sites of Ethical Demand – Models of Conduct and Practice
If you missed Lois Klassen’s talk on Research and Creation in Sited of Ethical Demand as part of the INSPIRE series you can watch the recording here. Lois addresses important questions that…
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Tertulia: Artist Book Publishing by American, Canadian, and Mexican Artists- March 31 at 6 pm
Lois Klassen from Light Factory Publications, Vancouver and Post-Doctoral Fellow at cMAS, and VLACC (Vancouver Latin American Cultural Center) are thrilled to invite you to this presentation that brings together American, Canadian,…
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![Body as Border: Traces and Flow of Connections (2022) prOphecy sun, Freya Zinovieff, Gabriela Aceves Sepúlveda and Steve DiPaola. Installed at Urban Screen, Surrey B.C.]()
Body as Border: Traces and Flows of Connection @ Urban Screen from 6 pm to midnight until May 1st
The most recent collaboration by prOphecy Sun, Freya Zinovieff, Gabriela Aceves Sepúlveda, and Steve DiPaola is on view at the Urban Screen at Chuck Bailey Stadium every weeknight from 6 pm to…
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![Studio, 2022. Hamed Rashtian.]()
Body as Border preview night and Boundless, a short program of videos curated by prOphecy sun and Freya Zinovieff for the Surrey Urban Screen, Feb 10 @ 6pm
We are thrilled to invite you to the preview screening of our new site-specific commission, Body as Border: Traces and Flows of Connection,at the UrbanScreen at Chuck Bailey Recreation Center and to…
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Amplified Listening to Race and Gender in Fiamma Montezemolo’s “Echo” and Stephanie Dinkins’s “N’TOO”
Excited to share a new article co-written with Lois Klassen on how the fabulous work of Stephanie Dinkins and Fiamma Montezemolo makes us reflect on what is heard when we hear women…
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Fabricación, Aserradero and Fundición: Reactivating the compositions of Carmen Barradas (1888-1963) @ the Gender and Musicianship conference at the Sibelius Academy in Helsinki
Excited to share this concert-lecture of Carmen Barradas’ compositions for piano Fabricación (1922), Fundición (1921), and Aserradero (1922) interpreted by Patricia Mendoza with analysis by Adriana Santos Melgarejo. We will be presenting this…
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Creative Media Responses to Diasporic Writing – Partnership with Reading Migration Library (RML) Library of Africa and the African Diaspora (LOATAD) and SFUs Community Engagement Initative (CEI)
We are incredibly excited to announce that in partnership with Reading the Migration Library (led by cMAS post-doctoral fellow Lois Klassen) and Library of Africa and the African Diaspora (LOATAD) in Accra, Ghana,…
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Gabriel Juliano presenting at Borderline Sonorities ” Blackness as Decolonial Expression of Resistance in Baco Exú do Blues’ Bluesman”
Gabriel Juliano (cMAS PhD student) will be presenting preliminary findings of his doctoral research at Borderline Sonorities ( Sonoridades Fronteiriças) on June 9, 2021. Juliano’s research investigates representations of black resistance in…
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Sono-Soro[ridades]: Feminist interventions in Sound Art @ SONORIDADES FRONTEIRIÇAS 2 – JUNE 9-11 2021
We are excited to announce that as part of cMAS’ efforts to build connections with researchers across the Americas we are initiating our collaboration with Borderline Sonorities ( Sonoridades Fronteiriças) organized by…
