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Hacía otra historia de la música electrónica y el arte sonoro: Mujeres compositoras en Latinoamérica, 1889-1980 @ REA 10 Dec 2022
Gabriela Aceves Sepúlveda discutió avances de una investigación que aborda un vacío en las historias globales de las artes mediáticas al investigar la vida y obra de cuatro compositoras latinoamericanas cuyas trayectorias profesionales atravesaron las principales redes mundiales de producción musical y de arte experimental durante el siglo XX. Esta investigación se centra en desentrañar…
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Research-Creation Seminar with students from Universidad de Antioquia, Medellín Colombia- Dec 7-11, 2020
As part of cMAS ongoing relationship with the University of Antioquia, Medellín Colombia we are pleased to announce our seminar on research-creation with graduate students from the Master in Audiovisual Production at UA and cMAS research collaborators Lois Klassen, Sarah Shamash, prOphecy Sun, Carlos Colín and Amanda Gutiérrez. In the seminar, students will explore the…
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Call For Papers # 56. Thinking “Latin American Art/Artists” through Flows and Diasporas
2020 UAAC-AAUC ONLINE Conference / Congrès / October 15- 17 octobre, 2020 Panel 56. Thinking “Latin American Art/Artists” through Flows and Diasporas Gabriela Aceves Sepúlveda , Simon Fraser University, gacevess(at) sfu.ca Analays Alvarez Hernandez, Université de Montréal, analays.alvarez (at) umontreal.ca Despite its short existence, the International Biennial of Contemporary Art in South America (BIENALSUR) is redefining…
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Feminism(S) and Imaging Technology in Latin America @ Western University , October 23, 2019
Thanks Alena Robin and Christine A Sprengler for inviting me to give a talk at their Graduate Seminar with Hispanic Studies and Visual Art Students. In this talk, I presented a genealogy of women artists that experimented with analog, electronic and computational imagery in Latin America. Specifically, I look at how Latin American women became, not only…
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Remediation and Re-Activation: Two Research-Art Creation Approaches
This summer Gabriela Aceves Sepúlveda was invited to give a keynote master class at the 1st Meeting on Research- Creation Methodologies at the Universidad de Antioquia in Medellín, Colombia. The meeting was part of the 5th Film and Video Festival “Ficción No Ficción.”
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Mothering Bacteria installed @ C&C | DIS 2019
An iteration of our ongoing project Mothering Bacteria is currently installed at Ecologies of Transformation, an exhibition for the 2019 ACM conferences Creativity and Cognition (C&C) and Design Interactive Systems (DIS). Mothering Bacteria: A Speculative Forecast of the Body as an Interface (2018) Bodies are interfaces, thresholds, vestibules, and gateways capable of hosting, carrying and…
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Manifesting Resistance in HASTAC 2019!
Join us today in HASTAC to listen to Jo Shin present our project Manifesting Resistance. Session 6B, Saturday 2:00 PM, Room The Nest 2301.
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Excited to announce the first meeting of the Anthropocene Reading Group
Freya Zinovieff is organizing the Anthropocene Reading Group hosted by MCL/cMAS at the School of Interactive Arts and Technology in SFU Surrey Campus The group will meet once a month in room 3910 at SFU Surrey campus, and you are welcome to join in person or via Skype. Our first session is scheduled on Wednesday October…
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International Colloquium of Graphic Notation, Mexico City, September 12-14, 2018
Thanks to Cinthya García Leyva(ACT/UNAM), Susana González Aktories (FFyL/UNAM), Barbara Ventarola (FU Berlin), Georg Witte (FU Berlin) and everyone at ACT arte, cienciay tecnología for inviting me to present the work of Uruguayan composer Carmen Barradas at the Colloquio Internacional de Notación. It was an honor to present with Llorenç Barber, Patricio F. Calatayud and Carlos…
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cMAS at SIGGRAPH 2018
Thanks to Andrés Burbano and Erica Hruby for the invitation to present at Leonardo Birds of Feathers session in SIGGRAPH to celebrate Leonardo’s 50th Anniversary. It was a great honor to share and listen to Ernest Edmonds and Philippe Pasquier and celebrate Mirjana Prpa and Nicole L’Huillier on their “the future of the field on…
