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Body as Border: Traces and Flows of Connection @ Urban Screen from 6 pm to midnight until May 1st
The most recent collaboration by prOphecy Sun, Freya Zinovieff, Gabriela Aceves Sepúlveda, and Steve DiPaola is on view at the Urban Screen at Chuck Bailey Stadium every weeknight from 6 pm to midnight and until May 1st. Body as Border: Traces and Flows of Connection is a 32 minute immersive, large-scale generative video projection created…
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Dialogues: Latin American Art(ists) from/in Canada: Expanding Narratives, Territories, and Perspectives
Really honored to be part of this edited dossier by Analays Álvarez and Alena Robin on ” Latin American Art(ists) from/in Canada: Expanded Narratives, Territories and Perspectives.” My article discusses my encounters with the category “Latin American Art” in Vancouver and Toronto since 1999 and the work of Sarah Shamash Guadalupe Martinez, Carmen Rodriguez Nelly…
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Body as Border preview night and Boundless, a short program of videos curated by prOphecy sun and Freya Zinovieff for the Surrey Urban Screen, Feb 10 @ 6pm
We are thrilled to invite you to the preview screening of our new site-specific commission, Body as Border: Traces and Flows of Connection,at the UrbanScreen at Chuck Bailey Recreation Center and to introduce Boundless, a program of short videos curated by prOphecy sun and Freya Zinovieff. The preview screening will take place on Thursday, February…
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Amplified Listening to Race and Gender in Fiamma Montezemolo’s “Echo” and Stephanie Dinkins’s “N’TOO”
Excited to share a new article co-written with Lois Klassen on how the fabulous work of Stephanie Dinkins and Fiamma Montezemolo makes us reflect on what is heard when we hear women speaking inside artworks. It is part of the new issue of Media-N Journal entitled “No Template: Art and the Technologies of Race” guest-edited…
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Fabricación, Aserradero and Fundición: Reactivating the compositions of Carmen Barradas (1888-1963) @ the Gender and Musicianship conference at the Sibelius Academy in Helsinki
Excited to share this concert-lecture of Carmen Barradas’ compositions for piano Fabricación (1922), Fundición (1921), and Aserradero (1922) interpreted by Patricia Mendoza with analysis by Adriana Santos Melgarejo. We will be presenting this concert lecture as part of the Gender and Musicianship conference at the Sibelius Academy in Helsinki on January 25th, 2022 https://vimeo.com/668427447 In this…
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Sono-Soro[ridades]: Feminist interventions in Sound Art @ SONORIDADES FRONTEIRIÇAS 2 – JUNE 9-11 2021
We are excited to announce that as part of cMAS’ efforts to build connections with researchers across the Americas we are initiating our collaboration with Borderline Sonorities ( Sonoridades Fronteiriças) organized by the Brazilian based research group GEIST (Study Group on Images, Sound and Technologies) led by Prof. José Cláudio S. Castanheira from the Federal…
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Mitochondrial Echoes @ Art Machines/ 2 – City University, Hong Kong
Happy to announce that Mitochondrial Echoes: Computational Poetics, an immersive single-channel, AI-driven poetic visual and auditory score fruit of our own going collaboration with Steve DiPaola, PrOphecy Sun, and Freya Zinovieff is part of Constructing Context at Art and Machines/2 curated by Tobias Klein and Rodrigo Guzman-Serrano at City U University Hong Kong, June 10-20,…
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Feminist Interventions in the West Coast: The case of Video Art and Computer Graphics @ Digital. Visual. Material Symposium, 2021
We are very excited to collaborate with Daniel Cardoso Llach and Theodora Vardoulli on the virtual symposium Digtial. Visual. Material and the upcoming exhibition Vers un imaginarie numérique with our research on female artists and curators based on the West Coast who experimented with computer graphics and video and imbued these technologies with a feminist…
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Visual Culture of Resistance in Latin America in LASA 2021
Along with research collaborators Alessandra Santos and Sarah Shamash, and colleagues Kim M. Beauchesne and Magdalena Edwards, Gabriela Aceves Sepúlveda participated in the panel Visual Cultures of Resistance in Latin American which addressed the power dynamics and culture of resistance in modern and contemporary works, within diverse genres and forms pertaining to visual culture. In…
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cMAS at the Post-Humanities Hub Seminar directed by Prof Cecilia Åsberg and Dr Marietta Radomska.
This session, moderated by Morten Søndergaard and Janna Holmstedt, will focus on sound as evidence and sonic explorations in the hybrid field between scientific and artistic practices. It seeks to look beyond the visual, attend to sonically mediated phenomena, and explore how sound and listening might offer ways to navigate fields and areas on the…
