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Situated Listening: Attending the Unheard co-edited by Freya Zinovieff, Stephanie Loveless, Tullis Rennie and Morten Søndergaad
We are very excited to announce the publication of Situated Listenting: Attending to the Unheard co-edited by Freya Zinovieff, Stephanie Loveless, Tullis Rennie and Morten Søndergaad. Congratulations, Freya, on this achievement! It was a fantastic experience to co-author the chapter Listening to Noise: Lines of Affinity and Feminist Sono-Techno-Political Artivism from the South with the…
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Diaspora Dialogues: Archiving the Familiar – Opening Reception, Oct 4 @ SUR Gallery, Toronto
I am really excited to participate Diaspora Dialogues: Archiving the Familiar, featuring my work along with Amanda Gutiérrez, Cecilia Araneda, Soledad Fátima Muñoz, and Rosalina Libertad Cerritos, curated by Sarah Shamash and Tamara Toledo. Diaspora Dialogues: Archiving the Familiar features contemporary artworks by five women artists from the Latin American diaspora that apply a variety of…
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Feminist Sonographies of Situated Listening / sono(soro)ridades collective
Feminist Sonographies of Situated Listening is an immersive audio installation that maps out the research connections between the multidisciplinary individual practices of the sono(soro)ridades collective. This project is part of our process to enact our approach to what we call “decolonial feminist methodologies in sound” as a contribution to the field of research-creation. The installation…
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Red Sono(soro)ridades @ LASA 2023 The Right to Listen
Victoria Polti, Freya Zinovieff, Amanda Guitiérrez, and Laura Balboa members of the RED SONO(SORO)RIDADES presented in LASA 2023 as part of the panel THE RIGHT TO LISTEN: COLONIALITY, AURAL REGIMES AND TECHNOPOLITICAL ACTIVISMS organized by AMANDA GUTIERREZ, chaired by VICTORIA POLTI with GABRIELA ACEVES SEPULVEDA as discussant The presenters discussed various engagements with sound methodologies,…
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sono(soro)ridades at The Institute of Knowledge, U of A, May 16 – June 10, 2023
Really excited to be part of the exhibition at The Institute of Knowledge at The University of Alberta from May 16- June 20, 2023. Our collective sono(soro)ridades will present the audio installation Feminist Sonographies of Situated Listening. sono(soro)ridades is an ad-hoc group of feminist sound artists, activists and scholars interested in investigating the affective and…
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Sono(soro)ridades: Feminismo, Sonido y Activismo en Latino América @ LASA 2022 May 6, 2022
En este panel organizado por Gabriela Aceves Sepúlveda y Amanda Gutiérrez y moderado por Gabriela Aceves Sepúlveda partimos de la concepción de la antropóloga mexicana Marcela Legarde y proponemos la sono(soro)ridad (2021) para investigar la dimensión no-binaria, ética, política y práctica de los feminismos contemporáneos a través del sonido. Mediante este concepto nos interesa explorar…
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sono [soro]ridades @ Encuentro de redes sono-sororas / Tecnofeminisms from the South
Amanda Gutiérrez, Freya Zinovieff, Laura Balboa, and Gabriela Aceves presented their ongoing collaborations and the development of sono(soro)rities, as a theoretical and methodological framework to explore the affective and political dimensions of sound as part of the panel; “With one foot in Academia”. The panel included presentations from various Latin American -based feminist collectives working…
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Sono-Soro[ridades]: Feminist interventions in Sound Art @ SONORIDADES FRONTEIRIÇAS 2 – JUNE 9-11 2021
We are excited to announce that as part of cMAS’ efforts to build connections with researchers across the Americas we are initiating our collaboration with Borderline Sonorities ( Sonoridades Fronteiriças) organized by the Brazilian based research group GEIST (Study Group on Images, Sound and Technologies) led by Prof. José Cláudio S. Castanheira from the Federal…
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Hacía otra historia de la música electrónica y el arte sonoro: Mujeres compositoras en Latinoamérica, 1889-1980 @ REA 10 Dec 2022
Gabriela Aceves Sepúlveda discutió avances de una investigación que aborda un vacío en las historias globales de las artes mediáticas al investigar la vida y obra de cuatro compositoras latinoamericanas cuyas trayectorias profesionales atravesaron las principales redes mundiales de producción musical y de arte experimental durante el siglo XX. Esta investigación se centra en desentrañar…
