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    • Current Lines of Research
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  • Teaching
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cMAS
  • About cMAS
    • Current Lines of Research
    • Prospective Students
  • People
  • Publications
  • Projects
  • Teaching
  • News
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  • Homenaje a Carmen Barradas, Ateneo de Madrid, May 13, 2023

    We are happy to share the video recording documenting the concert seminar to commemorate the more than 100 years of Carmen Barradas’s piano recital at the Ateneo de Madrid. I was honoured to share the stage with the talented Uruguayan pianist Patricia Mendoza Lluberas, Adriana Santos Melgarejo, Carmen Cecilia Piñero, Miguel Molina Alarcón, and Juan…

    August 14, 2023
    Conference Presentations, News, Public Talks
  • Homenaje a Carmen Barradas, Ateneo de Madrid, May 13th @ 6:00 pm

    So excited and honoured to be part of this symposium/concert in commemoration of the 100-year anniversary of Carmen Barrada’s premier of “Fabricación” at the Ateneo de Madrid along with Carmen Cecilia Piñero Gil, Juan Manuel Bonet, Miguel Molina Alarcón, Adriana Santos Melgarejo and Patricia Lluberas If you are in Madrid or Barcelona, please join us:…

    May 3, 2023
    Conference Presentations, Patrnerships, Public Talks
  • Fabricación, Aserradero and Fundición: Reactivating the compositions of Carmen Barradas (1888-1963) @ the Gender and Musicianship conference at the Sibelius Academy in Helsinki

    Excited to share this concert-lecture of Carmen Barradas’ compositions for piano Fabricación (1922), Fundición (1921), and Aserradero (1922) interpreted by Patricia Mendoza with analysis by Adriana Santos Melgarejo. We will be presenting this concert lecture as part of the Gender and Musicianship conference at the Sibelius Academy in Helsinki on January 25th, 2022 https://vimeo.com/668427447 In this…

    January 20, 2022
    Conference Presentations, News, Symposium and Workshops
  • Sounding Difference @ RE SOUND Media Art Histories Conference, August 19-23 2019.

    Sounding Difference  is an academic track organized by Gabriela Aceves Sepúlveda and Freya Zinovieff. It is part of an ongoing research project that explores how axes of differences can be illuminated through practices of sound and listening. It brings together Aceves Sepúlveda’s interests in crafting alternative historical narratives that make audible the voices and practices…

    August 19, 2019
    News
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Recent Posts

  • Freya Zinovieff & Amanda Gutiérrez @ MOMENTUM 13 Biennale curated by Morten Søndergaard May 31, 2025
  • LASA 2025 Poner el Cuerpo en Latinx América // Travelling Bodies: Latinx- Artists and Filmmakers and Border-Crossing Dynamics// May 28, 2025
  • Situated Listening: Attending the Unheard co-edited by Freya Zinovieff, Stephanie Loveless, Tullis Rennie and Morten Søndergaad May 21, 2025
  • Gabriela Aceves Sepúlveda invited to give a Keynote Talk at Media Arts Conference, Manizales, Colombia, May 2025 May 15, 2025

About cMAS

The criticalmediartstudio (cMAS) explores how old and new technologies have and continue to shape historical narratives and practices of media arts and design.

cMAS is directed by Dr. Gabriela Aceves Sepúlveda.

Our Address

School of Interactive Arts and Technology (SIAT)
Simon Fraser University Surrey
250 -13450 102 Avenue
Surrey, BC V3T 0A3
CANADA


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