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Homenaje a Carmen Barradas, Ateneo de Madrid, May 13, 2023
We are happy to share the video recording documenting the concert seminar to commemorate the more than 100 years of Carmen Barradas’s piano recital at the Ateneo de Madrid. I was honoured to share the stage with the talented Uruguayan pianist Patricia Mendoza Lluberas, Adriana Santos Melgarejo, Carmen Cecilia Piñero, Miguel Molina Alarcón, and Juan…
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Same Old Story at ISEA 2023
We are excited to share that Hamed Rashtian will be presenting a paper based on his research on the embodied realities of different colonial histories. In Same Old Story: Agential Realism in the Study of Colonial Histories, Rashtian asks: What are the possibilities of accessing the reality of history? How can we read history and…
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Homenaje a Carmen Barradas, Ateneo de Madrid, May 13th @ 6:00 pm
So excited and honoured to be part of this symposium/concert in commemoration of the 100-year anniversary of Carmen Barrada’s premier of “Fabricación” at the Ateneo de Madrid along with Carmen Cecilia Piñero Gil, Juan Manuel Bonet, Miguel Molina Alarcón, Adriana Santos Melgarejo and Patricia Lluberas If you are in Madrid or Barcelona, please join us:…
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Becoming Latinx-Canadian(s) : Artists, Curators, and Filmmakers of the Latin American Diaspora(s) in Canada @ LASA 2022
Organizer: Gabriela Aceves Sepúlveda Co-chairs: Analays Alvarez and Zaria Zarza Discussant: Alessandra Santos In Canada, the identity category “Latinx-Canadian,” and other Latin American identities, have evolved under the hegemony of categories developed in the United States such as “Latino/a” and, more recently, “Latinx.” While the latter are deeply embedded in the historical and contemporary race…
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Sono(soro)ridades: Feminismo, Sonido y Activismo en Latino América @ LASA 2022 May 6, 2022
En este panel organizado por Gabriela Aceves Sepúlveda y Amanda Gutiérrez y moderado por Gabriela Aceves Sepúlveda partimos de la concepción de la antropóloga mexicana Marcela Legarde y proponemos la sono(soro)ridad (2021) para investigar la dimensión no-binaria, ética, política y práctica de los feminismos contemporáneos a través del sonido. Mediante este concepto nos interesa explorar…
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Fabricación, Aserradero and Fundición: Reactivating the compositions of Carmen Barradas (1888-1963) @ the Gender and Musicianship conference at the Sibelius Academy in Helsinki
Excited to share this concert-lecture of Carmen Barradas’ compositions for piano Fabricación (1922), Fundición (1921), and Aserradero (1922) interpreted by Patricia Mendoza with analysis by Adriana Santos Melgarejo. We will be presenting this concert lecture as part of the Gender and Musicianship conference at the Sibelius Academy in Helsinki on January 25th, 2022 https://vimeo.com/668427447 In this…
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Gabriel Juliano presenting at Borderline Sonorities ” Blackness as Decolonial Expression of Resistance in Baco Exú do Blues’ Bluesman”
Gabriel Juliano (cMAS PhD student) will be presenting preliminary findings of his doctoral research at Borderline Sonorities ( Sonoridades Fronteiriças) on June 9, 2021. Juliano’s research investigates representations of black resistance in Brazilian media arts and music with a particular focus on their pedagogical potential. In Blackness as Decolonial Expression of Resistance in Baco Exú…
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Feminist Interventions in the West Coast: The case of Video Art and Computer Graphics @ Digital. Visual. Material Symposium, 2021
We are very excited to collaborate with Daniel Cardoso Llach and Theodora Vardoulli on the virtual symposium Digtial. Visual. Material and the upcoming exhibition Vers un imaginarie numérique with our research on female artists and curators based on the West Coast who experimented with computer graphics and video and imbued these technologies with a feminist…
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Visual Culture of Resistance in Latin America in LASA 2021
Along with research collaborators Alessandra Santos and Sarah Shamash, and colleagues Kim M. Beauchesne and Magdalena Edwards, Gabriela Aceves Sepúlveda participated in the panel Visual Cultures of Resistance in Latin American which addressed the power dynamics and culture of resistance in modern and contemporary works, within diverse genres and forms pertaining to visual culture. In…
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Remediation and Re-Activation: Two Research-Art Creation Approaches
This summer Gabriela Aceves Sepúlveda was invited to give a keynote master class at the 1st Meeting on Research- Creation Methodologies at the Universidad de Antioquia in Medellín, Colombia. The meeting was part of the 5th Film and Video Festival “Ficción No Ficción.”
