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LASA 2025 Poner el Cuerpo en Latinx América // Travelling Bodies: Latinx- Artists and Filmmakers and Border-Crossing Dynamics//
On May 26 I participated in the panel “Travelling Bodies: Latinx- Artists and Filmmakers and Border-Crossing Dynamics” organized by Analays Alvarez Hernandez (Université de Montréal) with the presentation “Travelling Videos/Emerging Identities: Indigenous and Latinx Video Art from South, Central and North America in Canada” focusing on Abo: Videos That Unmask, Test & Invade the Colonial…
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Gabriela Aceves Sepúlveda invited to give a Keynote Talk at Media Arts Conference, Manizales, Colombia, May 2025
From May 2 to May 10, I participated in the XXIV Festival Internacional de la Imagen and the XI Media Arts Conference in Bogotá and Manizales with a keynote talk on May 6 entitled “Other Futures for Our Pasts: Feminist Interventions in the Media Arts Archive” at Teatro Los Fundadores in Manizales, focusing on how…
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cMAS and MCL members @ Boundaries and (dis)junctions CALACS Congress 2025
From May 15 to May 17, 2025, members of cMAS and MCL will participate in the Annual Congress of the Canadian Association for Latin American and Caribbean Studies (CALACS), 2025 at York University, Toronto, as part of the panel “Negotiating Representation: Critical Analyses of Media-arts and Cultural Practices across the Americas” organized and chaired by…
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Homenaje a Carmen Barradas, Ateneo de Madrid, May 13, 2023
We are happy to share the video recording documenting the concert seminar to commemorate the more than 100 years of Carmen Barradas’s piano recital at the Ateneo de Madrid. I was honoured to share the stage with the talented Uruguayan pianist Patricia Mendoza Lluberas, Adriana Santos Melgarejo, Carmen Cecilia Piñero, Miguel Molina Alarcón, and Juan…
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Same Old Story at ISEA 2023
We are excited to share that Hamed Rashtian will be presenting a paper based on his research on the embodied realities of different colonial histories. In Same Old Story: Agential Realism in the Study of Colonial Histories, Rashtian asks: What are the possibilities of accessing the reality of history? How can we read history and…
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Homenaje a Carmen Barradas, Ateneo de Madrid, May 13th @ 6:00 pm
So excited and honoured to be part of this symposium/concert in commemoration of the 100-year anniversary of Carmen Barrada’s premier of “Fabricación” at the Ateneo de Madrid along with Carmen Cecilia Piñero Gil, Juan Manuel Bonet, Miguel Molina Alarcón, Adriana Santos Melgarejo and Patricia Lluberas If you are in Madrid or Barcelona, please join us:…
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Becoming Latinx-Canadian(s) : Artists, Curators, and Filmmakers of the Latin American Diaspora(s) in Canada @ LASA 2022
Organizer: Gabriela Aceves Sepúlveda Co-chairs: Analays Alvarez and Zaria Zarza Discussant: Alessandra Santos In Canada, the identity category “Latinx-Canadian,” and other Latin American identities, have evolved under the hegemony of categories developed in the United States such as “Latino/a” and, more recently, “Latinx.” While the latter are deeply embedded in the historical and contemporary race…
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Sono(soro)ridades: Feminismo, Sonido y Activismo en Latino América @ LASA 2022 May 6, 2022
En este panel organizado por Gabriela Aceves Sepúlveda y Amanda Gutiérrez y moderado por Gabriela Aceves Sepúlveda partimos de la concepción de la antropóloga mexicana Marcela Legarde y proponemos la sono(soro)ridad (2021) para investigar la dimensión no-binaria, ética, política y práctica de los feminismos contemporáneos a través del sonido. Mediante este concepto nos interesa explorar…
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Fabricación, Aserradero and Fundición: Reactivating the compositions of Carmen Barradas (1888-1963) @ the Gender and Musicianship conference at the Sibelius Academy in Helsinki
Excited to share this concert-lecture of Carmen Barradas’ compositions for piano Fabricación (1922), Fundición (1921), and Aserradero (1922) interpreted by Patricia Mendoza with analysis by Adriana Santos Melgarejo. We will be presenting this concert lecture as part of the Gender and Musicianship conference at the Sibelius Academy in Helsinki on January 25th, 2022 https://vimeo.com/668427447 In this…
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Gabriel Juliano presenting at Borderline Sonorities ” Blackness as Decolonial Expression of Resistance in Baco Exú do Blues’ Bluesman”
Gabriel Juliano (cMAS PhD student) will be presenting preliminary findings of his doctoral research at Borderline Sonorities ( Sonoridades Fronteiriças) on June 9, 2021. Juliano’s research investigates representations of black resistance in Brazilian media arts and music with a particular focus on their pedagogical potential. In Blackness as Decolonial Expression of Resistance in Baco Exú…
