Body as Border: Traces and Flows of Connection (HD video w/sound and AI-generated images)
Mitochondrial Ontologies: Deep Time and the Digital (HD video w/sound and AI-generated images)
Feminist Sonographies of Situated Listening (Sound installation, radio FM transmitters and graphics)
Witnessing (Generative art installation, website and zine)
Reading Diaspora/Reading Migration (Interactive web-based project)
Reactivating Mama Pina's Cookbook (Interactive web-based project and video installation)
The Real, the Virtual and the We ( Re-activating Lygia Clark's The I and the You Body/Clothing/Body, 1967)(Live performance, video and AI generated images)
Untitled 3 from the writing with dehydrated placenta grounds series(Ground placenta and digital prints)
Tambadoras Dancing with the Palo River(Video and web project)
La migración como método y tema de investigación- creación / Migration as theme and method for research-creation(Seminar and workshop)
cMAS is an interdisciplinary research-creation studio focused on the intersections of art, science, and technology. Through a strong commitment to history, theory, and practice, we examine how old and new technologies have shaped and continue to influence the historical narratives and practices of media arts, guided by feminist theories and research-creation methodologies. Our projects investigate and theorize the implications of working across disciplines and can take various forms, including exhibitions, scholarly publications, public performances, experimental videos, generative artworks, digital graphics, printed zines, artist’s books, and more.
cMAS is directed by Dr. Gabriela Aceves Sepúlveda and shares a space with Dr. Kate Hennessy's Making Culture Lab both located in the School of Interactive Arts and Technology at Simon Fraser University Surrey Campus that occupy the unceded territories of the Semiahmoo, Tsawwassen, Kwantlen, Katzie, the Kwikwetlem (kʷikʷəƛ̓əm), and the Qayqayt First Nations.