Publications

Publications | Presentations | Screenings | Print Design | Exhibitions | Digital Projects

2017

Turner, Hanna, Aceves Sepúlveda, Gabriela, editors, and Machuca, F., Shin, J. and Wu, X., artists (2017) “Witnessing” digital project and essay. In Immediacy, the journal of the Media Studies Graduate Program at The New School in New York City.
[Digital Project]

Aceves Sepúlveda, Gabriela, “[Re] Activating Mamá Pina’s Cookbook” digital project and artist statement. In Feminist Media Histories Journal special issue on Data edited by Miriam Posner and Lauren Klein (Summer 2017, vol. 3, no. 3)  [Digital Project]

Aceves Sepúlveda, Gabriela,“Being Remembered: Activist Archiving and the Feminist Movement in Mexico” In Aging Graz Conference, Center for Inter-American Studies, University of Graz, Aging Graz Conference, April 27-30, 2017. [Paper Presentation]

Aceves Sepúlveda, Gabriela. “Feminizing the archives of digital art: Women pioneers from Latin Americain Proceedings of the 23th International Symposium on Electronic Arts, ISEA 2017 Manizales and 16th Festival de la Imagén, Universidad de Caldas, 739-742.[Paper Presentation/ Conference Proceedings]

Turner, Hannah and Aceves Sepúlveda, Gabriela editors. Witnessing (Vancouver: cMAS Publications), 20 pages. ISBN # 978-0-9958899-0-3 [Print Design]

Aceves Sepúlveda Gabriela. “El Corno Emplumado/The Plumed Horn: “A world within a world”, Mexico City 1962-1969 in Jadwiga E. Pieper Mooney and Tamara Chaplin, The Global Sixties (Routledge, 2017). [Peered Reviewed Book Chapter]

Aceves Sepúlveda, Gabriela. ” The Utopian Impulse in the Videos of Pola Weiss”  in Alessandra Santos and Kim Beauchesne (ed) Performing Utopias in Contemporary Americas (New York: Palgrave Macmillan, 2017). [ Peer Reviewed Book Chapter]

Aceves Sepúlveda, Gabriela. Design and Layout of ” A New (Anti) Manifesto for the Americas. Version 2015. Re-written and edited by La Pocha Nostra members Guillermo Gómez-Peña, Saul García López, and Michèle Ceballos Michot in ” in Alessandra Santos and Kim Beauchesne (ed) Performing Utopias in Contemporary Americas (New York: Palgrave Macmillan, 2017). [Print Design]

Aceves Sepúlveda, Gabriela. “¡Estamos Hartas!: Mexican Feminist Protests and the Meanings of Political Solidarity in Three Acts, 1971-1979” in Jessica Stites-Mor and Maria del Carmen Suescun Pozas (ed) The Art of Solidarity: Visual Poetics of Empathy. [Book Chapter Forthcoming]

Shin, Jo; Wu, Xavier; Machuca, Fred;  Turner, Hannah Turner  and Aceves Sepúlveda, Gabriela presented the installation “Witnessing” In Under Super Vision 40th Annual UBC AHVA Graduate Symposium Art Exhibition AHVA Gallery, Audain Art Center, March 10- April 1, 2017. [Art Exhibition]

 

2016

Aceves Sepulveda, Gabriela, and Sarah Shamash. “Feminizing Oswald De Andrade’s Manifesto Antropófago and Vasconcelo’s Raza Cosmica : The Videos of Sonia Andrade and Pola Weiss.” Media-N The Journal of the New Media Caucus 12, no. 1 (Spring 2016). [ Peered Reviewed Journal Article]

Aceves Sepúlveda, Gabriela. Remediating Mamá Pina’s Cookbook, Computer Art Congress CAC.5, October 26-28, 2016 in MSH Paris Nord. [Artistic Presentation]

Aceves Sepúlveda, Gabriela. “Transferring female reproductive labor and ephemeral and domestic forms of writing into the Archive: Remediating Mamá Pina’s Cookbook” in Digital Art: Archiving and Questioning Immateriality. Computer Art Congress CAC.5 proceedings (Europia, 2016) [Conference Proceedings]

Shamash, Sarah; Ramírez Oswaldo; Aceves Sepúlveda, Gabriela. Screening of “Acá Nada / Acá Elsewhere” in Vancouver Latin American Film Festival, (VLAFF), screening of “Acá Nada / Acá Elsewhere”, Saturday September 3, 2016, The Cinemateque, Vancouver. [Film Screening]

Aceves Sepulveda, Gabriela; DiPaola, Steve; Santos Alessandra; Shamash Sarah. Screening of “The Real, the I and the We” in Anthology of Unknowingly Yours!, part of the art-research project “‘WE’, a शब्द/ شبد (śabd),” an art-research curated by Rajarashi Sengupta and Baishali. Korean Cultural Centre, New Delhi, India. [Video Screening]

Aceves Sepulveda, Gabriela; DiPaola, Steve; Santos Alessandra; Shamash Sarah. Screening and live perfromance of “The Real, the I and the We” in  ThirstDays #3, curated by Denise Rayner and Tonel.  VIVO Media Arts, Vancouver, B.C. [ Video screening and live performance]

Aceves Sepulveda, Gabriela; Screening of “Escribiendome” in  ThirstDays #3, curated by Denise Rayner and Tonel.  VIVO Media Arts, Vancouver, B.C.
[Video screening]

Shamash, Sarah; Ramírez Oswaldo; Aceves Sepúlveda, Gabriela. Screening of “Acá Nada / Acá Elsewhere” in Vancouver Latin American Film Festival, (VLAFF), in ThirstDays #3, curated by Denise Rayner and Tonel.  VIVO Media Arts, Vancouver, B.C [Film Screening]
Ethnographic Terminalia Curatorial Collective (Craig Campbell, Kate Henessy, Fiona P. McDonald, Trudi Lynn Smith, Stephanie Takaragwa), Hannah Turner and Gabriela Aceves Sepúlveda. “The Photo Essay is Dead. Long Live the Photo Essay!” Presented at the AAA, 2016, Minneapolis, Minnesota. 116 pages. ISBN #978-0-9948879-1-7 [Print Design]

Aceves Sepúlveda Gabriela. “Forging Transnational Networks Across the Americas: El Corno Emplumado/The Plumed Horn, 1962-1969” in Visual Culture and the Printed Image at LASA 2016 Congress, May 27 – 3,  New York, New York. [Paper Presentation]

Aceves Sepúlveda Gabriela. “Political Filmmaking and Activism in 1970s Mexico: Rosa Martha Fernández, Cooperativa de Cine Marginal and Colectivo Cine Mujer” in Hybrid Forms of Media Art and Activism across the Americas I at CALACS 2016, Hybrid Communities, Societies, Subjectivities and Spaces, University of Calgary 1-3, June 2016. [Paper Presentation]

Aceves Sepúlveda Gabriela.“Visualizing alternative cartographies of artistic exchange during the Global Sixties:
El Corno Emplumado/ The Plumed Horn, Mexico City 1962-1969” in Visualizing Global Networks at Global Art Challenges 2016, University of Barcelona and Museum of Contemporary Art (MACBA), Barcelona, April 27 – 29, 2016. [Paper Presentation]

Fresh Talk: Gabriela Aceves Sepúlveda Skype Talk with Spanish art duo Laramascoto (Santiago Lara + Beatriz Coto). Spanish Language with English at the New Media Gallery at New West Minister. Sunday, May 22, 2016. [Public Talk]

2015
Aceves Sepúlveda Gabriela.
“Imagining the Cyborg in Náhuatl: Reading the videos of Pola Weiss through Haraway’s Manifesto for Cyborgs” in Platform: Journal of Media and Communication, Volume 6.2 (2015): 46–60. [Peered Reviewed Journal Article]

Aceves Sepúlveda, Gabriela. “Remediating Mama Pina’s Cookbook” in Archive Week, “Artists in the Archives panel discussion”, The Western Front Gallery, Vancouver, November 26, 2015. [Artist Talk]

Aceves Sepúleda Gabriela.” Remediating Mama Pina’s Cookbook in Archive Week,” Grunt Gallery, Vancouver, November 22-28, 2015. [Video Screening]

Aceves Sepúlveda Gabriela. “Activism and Archival Practice: Tracing the feminist militancy of Ana Victoria Jiménez, Mexico 1964-2010” in 2015 Raging Activism Symposium at the Center for Aging and Society, Trent University, October 16-17, 2015, Peterborough, Ontario. [Paper Presentation]

Aceves Sepúlveda, Gabriela. “Remediating Mamá Pina’s Cookbook” in Ethnographic Terminalia Workshop Terminus: Archives, Ephemera, and Electronic Art in ISEA 2015, VIVO Media Arts, August 15th, 2015, Vancouver, BC. [Paper Presentation]

Aceves Sepúlveda, Gabriela. “The Utopian Impulse in the Videos of Pola Weiss (México, 1977-1990)” in 6th Latin America Research Group Workshop, University of Victoria, March 14, 2015.  [Paper Presentation]

Aceves Sepúlveda, Gabriela. “Tracing the development of video art from Mexico: The televisual performances of Pola Weiss” in Global Video: Histories and Practices Panel at CAA 103rd Annual Conference, New York, February 11–14, 2015. [Paper Presentation]

Hennessy, Kate, Schiphorst, Thecla, and Aceves-Sepúlveda Gabriela. ” Generations, Generative Artworks from the faculty of the School of Interactive Arts and Technology”, SFU Woodwards, September- October, 2015.  [Co-curation]

Ethnographic Terminalia Curatorial Collective (Craig Campbell, Kate Henessy, Fiona P. McDonald, Trudi Lynn Smith, Stephanie Takaragwa) Tarah Hogue and Gabriela Aceves Sepúlveda.” Terminus: Archives, Ephemera and Electronic Art”, Grunt Gallery, 2015. [ Print Design]