Freya Zinovieff underwent her MFA at University of New South Wales. She holds a first class honors degree from Cambridge School of Art at Anglia Ruskin.

Her research looks at how sound can mediate relationships to landscapes in the Anthropocene age. She is interested by the potential for digital audio technologies to reimagine the contrary temporal narratives of digital media, deep, and cyclical conceptualizations of time, and how sonic art practices, such as graphic notation and sonic mapping can explore the junctions of human history and geo trauma.

Freya has received multiple awards, including an Endeavour Scholarship, she has exhibited her research across the globe, in various formats, from writing to choral singing, and has worked extensively as a curator.

Selected Presentations, Exhibitions & Publications:

Zinovieff, F., G. Aceves Sepúlveda, prOphecy sun, S. DiPaola (2022). “Connective Tissue and Bacterial Echoes: Four Artists, a River, and an Artificial Agent.” In Ecocene: Cappadocia Journal of Environmental Humanities 3. 2. December, 173-178. [Journal Article]

Sun, p.;  Ziniovieff, F.; Aceves Sepúlveda, G. and DiPaola,S. (2022) Bodies as Borders: Body as Border: Traces and Flows of Connection, Urban Screen Surrey Art Gallery, curated by Rhys Edwards, February to May 2022. [Site-Specific Installation]

prOphecy  Sun, Freya  Zinovieff, Steve DiPaola and Gabriela Aceves Sepúlveda. Mitochondrial Echoes: Computational Poetics, In Art Machines 2 – International Symposium on Machine Learning and Art 2021,  City University of Hong Kong, Hong Kong, June 10-14, 2021  [Art Exhibition]

Zinovieff, Freya and Gabriela Aceves Sepúlveda. “Maritime Boundaries: Sonic Blueprints of The Geopolitical” In Leonardo, Special Issue on Sound and Geopolitics, Vol. 30, December 2020, 118-123. [Journal Article]