Instructor: Gabriela Aceves Sepúlveda
Office: SUR 2819 | Podium 2
Office Hours: Wednesday and Thursday 2:30- 4:30 or by appointment. Always e-mail to confirm.
Always include your Lab # on the subject of your e-mail.
Lecture: Monday 10:30 am- 12:20 pm @ SUR 2600
Teaching Assistants: 2, TBA
Contact your TAs for questions regarding in Lab activities. Always include your Lab # on the subject of your e-mail
LAB SCHEDULE
D101 @ 12:30:00-14:20:00 SUR 3100 – TA 1
D102 @ 14:30:00-16:20:00 SUR 3100 – TA1
D103 @ 12:30:00-14:20:00 SUR 3130 – TA 2
D104 @ 14:30:00-16:20:00 SUR 3140 – TA 2
D105 @ 16:30:00-18:20:00 SUR 3100 – TA 2
COURSE DESCRIPTION
New Media Images, IAT 202, is an introduction to historical, aesthetic, theoretical and practical issues in digital video production. In this course, students will simultaneously develop technical ability and creative awareness through the combination of lectures, tutorials, projects and hands-on practice. Project planning and conceptualization will be emphasized. Image composition, the basics of soundtrack design, visual effects and editing grammars will be explored toward the aim of creating a final video project.
COURSE OBJECTIVES
- Students will develop core skills in moving image composition
- Students will begin to construct nuanced sound-image relationships
- Students will learn how to plan, shoot and edit an audiovisual sequence
- Cinema, broadly inclusive of video and film, will be related to new media contexts
- Students will begin to develop an understanding of montage and continuity editing
- Students will begin to explore the plasticity of the digital media through image and sound manipulation
LEARNING OUTCOMES
Students will have achieved a beginning proficiency in creating audiovisual sequences, including preproduction (treatment and storyboard), production (video shooting and production sound) and post-production (editing, visual effects and motion graphics).
DELIVERY METHOD
Lecture (LEC) and Studio Lab (STL)
LEARNING ACTIVITIES
- Lectures, Lab Tutorials, Readings, Exercises, Assignments and Midterm.
- All assignments/projects may include public showing, written component and critique.
- Team and Individual Projects
TEXT, RESOURCES + MATERIALS
Required:
Weekly reading materials and videos posted on CANVAS
Recommended Readings:
– Herbert Zettl, Sight, Sound, Motion: Applied Media Aesthetics, (Wadsworth Publishing, 2010)
– Begleiter, Marci, From word to Image: storyboarding and the filmmaking process (Studio City, CA : Michael Wiese Productions, 2010).
– David Brodwell and Kristine Thompson, Film art : an introduction (Boston: McGraw Hill, 2004).
– Michael Chion, Audio-Vison: Sound on Screen (New York : Columbia University Press, c1994).
Recommended Videos:
– Chad Perkins, Creating a Short Film
https://www.lynda.com/Word-tutorials/Welcome-series/129019/496404-4.html (Links to an external site.)
You can access Lynda. com video using your SFU Library Account
Materials:
Students should bring to lecture to participate in in-Lecture activities due at the end of the Lecture.
- Paper & pencil for sketching
- A laptop or phone with access to CANVAS
Students should bring to lab:
- Headphones (for editing sound in lab)
- External storage device (suitable for video transfer + backups)
Recommended Resources:
- PC or Mac Computer that is capable of working with multimedia, including video.
- Image and Video Editing Software
Software in Labs (used extensively):
- Audacity (Freeware)
- Adobe Premier
- Adobe After Effects
- Adobe Photos Shop
- Adobe Sound booth
Prerequisites
Minimum of 18 credits, including IAT 100. Students with credit for IAT 101, TECH 121, TECH 122 or TECH 123 may not take this course for further credit. Students who have taken TECH 124 before January 2008 may not take this course for further credit.
GRADING AND ASSESSMENT INFORMATION
Evaluation Breakdown
- Lab Attendance + Activities (Individual) 5%
- Lecture Attendance + Quizzes (Individual) 5%
- Midterm Exam (Individual ) 10%
- Exercises (Individual ) 35%
- Assignments (Team) 45%
- 1 Bonus Point (Following Team Contract) 1%
- Total 101%
NOTE: The final project is a team project. Students are NOT allowed to develop an individual project for their final project.
Schedule
| Name | Theme | % | Indiv/ Team | Week Due | Due Date |
| Assignment 1 (A1) | Reverse Storyboarding |
7% | Individual | Week 2
|
Sunday, January 15 @ 4 pm on CANVAS |
| Project 1 – Milestone 1(P1-M1) |
Storyboard & Logline (P1-M1) | 5% | Individual | Week 3
|
Sunday, January 22 @ 4pm on CANVAS |
| Project 1- Milestone 2 (P1-M2) |
Sequence –no audio (P1-M2) | 8% | Individual | Week 4 | Sunday, January 29 @ 4pm on CANVAS |
| Project 1- Milestone 3 (P1-M3) |
Final Sequence P1-M3 | 8% | Individual | Week 5 | Monday, February 6 @ 11:59 pm on CANVAS |
| Midterm | Lecture Slides + Assigned Readings/Videos | 10% | Individual | Week 7 or Week 8 |
In lecture TBA |
| Project 2 Milestone 1 (P2-M1) |
Script & Logline Proposals (P2-M1) |
5% | Team | Week 7 | Sunday, February 19 @ 4 pm on CANVAS |
| Team Contracts | 1 % | Team | Week 7 | ||
| Project 2- Milestone 2 (P2-M2) |
Storyboard Presentation & Production Docs | 7% | Team | Week 8 | Sunday, February 26 @ 4pm on CANVAS |
| Project 2 – Milestone 3 (P2-M3) | Pre-Submission (P2-M3) | 10% | Team | Week 11 | Monday, March 20 @ 9 am. |
| Assignment 2 (A2) | Visual Effects | 7% | Individual | ||
| Project 2 Milestone 4 (P2-M4) |
Final Short Film (P2-M4) | 25% | Team | Week 13 | Saturday, April 1st @ 9:00 pm on CANVAS |
| Team Evaluations | Mandatory
|
Team | Week 13 | Monday April 3 @ 10:30 Printed |
Other Important Dates
Reading Break Feb 14- 19 No Classes
BC Family Day Feb 13 No Classes
Final Screening Date Monday, April 3 10:30 am
* This is a draft of the schedule. Due dates of assignments and exercises might change during the term. Please make sure you check CANVAS regularly to be up to date with in-class activities.
COURSE LATE POLICIES
* All Assignments and Exercises will be deducted 5 % per day after their due date.
* Absences:
Requires a doctor’s note (or comparable documentation for non-health reasons)
Prior communication w/instructor via e-mail.
SIAT Academic Policies:
Please review the Department Standards on Class Management and Student Responsibilities policies.
These documents covers SIAT policies on: Academic Dishonesty; Missed exams due to illness; Reviewing exams and assignments; Grade appeals; Grade scale; Course requirements; Prerequisites; E-mail policy; In-class behavior; and Religious accommodations.
- SFU grading policy:
http://www.sfu.ca/policies/gazette/teaching/t20-01.html - SIAT student grading and conduct policy: http://www.siat.sfu.ca/staff_portal/faculty_forms
- SFU Code of Academic Integrity and Good Conduct: http://www.sfu.ca/policies/gazette/student/s10-01.html\
*** Please read these at the beginning of the course and be sure to follow this policy in regards to grade review requests.
Excerpted from policies:
2.4.2 A Student who is unclear about the requirements for a course, or about the basis on which a grade will be assigned, or who is concerned about the marking of a particular assignment, is expected to seek clarification or to express his/her concern to the Instructor in a timely manner, normally within 10 days of receiving the information.
2.4.3 A Student who is seeking reconsideration of his/her final grade in a course is expected to raise his/her concern with the Instructor without delay, normally within 10 days of the release of the final grade.
2.4.4 The reconsideration of a grade may result in the grade being raised, lowered or remaining unchanged.