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	<title>Alessandra &#8211; cMAS</title>
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		<title>Mitochondrial Ontologies at Mónica Reyes Gallery Nov 24 to Nov 30, 2024</title>
		<link>https://criticalmediartstudio.com/mitochondrial-ontologies-at-monica-reyes-gallery-nov-24-to-nov-30-2024/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Sun, 17 Nov 2024 22:13:16 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Alessandra]]></category>
		<category><![CDATA[Freya]]></category>
		<category><![CDATA[Gabriela]]></category>
		<category><![CDATA[Maira Cristina]]></category>
		<category><![CDATA[prOphecy]]></category>
		<category><![CDATA[Salome]]></category>
		<category><![CDATA[Sarah]]></category>
		<category><![CDATA[Steve DiPaola]]></category>
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					<description><![CDATA[Join us for a drive-by, drive-in screening of Mitochondrial Ontologies: Deep Time and the Digital (a 15-minute video installation with sound) directed and produced by Gabriela Aceves Sepúlveda in collaboration with Freya Zinovieff, prOphecy Sun and Steve DiPaola with the participation of Salome Nieto, Matilda Aslizadeh, Maira Cristina Castro, Lois Klassen, Alessandra Santos, Sarah Shamash,&#8230;]]></description>
		
		
		
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		<title>Becoming Latinx-Canadian(s) : Artists, Curators, and Filmmakers of the Latin American Diaspora(s) in Canada @ LASA 2022</title>
		<link>https://criticalmediartstudio.com/becoming-latinx-canadians-artists-curators-and-filmmakers-of-the-latin-american-diasporas-in-canada-lasa-2022/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Sun, 29 May 2022 03:02:12 +0000</pubDate>
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		<category><![CDATA[Alessandra]]></category>
		<category><![CDATA[Analays]]></category>
		<category><![CDATA[Gabriela]]></category>
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					<description><![CDATA[Organizer: Gabriela Aceves Sepúlveda Co-chairs: Analays Alvarez and Zaria Zarza Discussant: Alessandra Santos In Canada, the identity category “Latinx-Canadian,” and other Latin American identities, have evolved under the hegemony of categories developed in the United States such as “Latino/a” and, more recently, “Latinx.” While the latter are deeply embedded in the historical and contemporary race&#8230;]]></description>
		
		
		
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		<title>ThirstDays No. 3- Harbour/Haven</title>
		<link>https://criticalmediartstudio.com/thirstdays-no-3-harbourhaven/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Thu, 28 Apr 2016 21:09:08 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Alessandra]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Gabriela]]></category>
		<category><![CDATA[Sarah]]></category>
		<category><![CDATA[Steve]]></category>
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					<description><![CDATA[Excited and honored to particiapte in Thristdays No. 3 Curated by Denise Ryner + Tonel along with my dear friends and colleagues from the aka collective:  Sarah Shamash + Osvaldo Ramírez Castillo, Pia Massie, Retazos, Alessandra Santos + Steve DiPaola, Josema Zamorano + Eleanor Hendriks + Manuel Piña-Baldoquín. &#160; http://thirstdays.vivomediaarts.com/page/2]]></description>
		
		
		
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