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	<title>Projects &#8211; cMAS</title>
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	<link>https://criticalmediartstudio.com</link>
	<description>criticalmediartstudio &#124; School of Interactive Arts and Technology &#124; Simon Fraser University</description>
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		<title>Visual Indeterminacy as the Right to Opacity: Reactivating Abadan’s Archive through Small-Data Generative AI</title>
		<link>https://criticalmediartstudio.com/portfolio/visual-indeterminacy-as-the-right-to-opacity-reactivating-abadans-archive-through-small-data-generative-ai/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Thu, 14 May 2026 00:16:01 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/portfolio/visual-indeterminacy-as-the-right-to-opacity-reactivating-abadans-archive-through-small-data-generative-ai/</guid>

					<description><![CDATA[This project investigates how generative AI can reactivate the archival record of Abadan, an oil city in southwestern Iran shaped by British colonial oil development, within a research-creation framework. Drawing on postcolonial theory, media arts, and memory studies, the project mobilizes a small-data approach to generative AI, using the Autolume system to generate moving images&#8230;]]></description>
		
		
		
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		<item>
		<title>Diasporic Worldings</title>
		<link>https://criticalmediartstudio.com/portfolio/diasporic-worldings/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Mon, 17 Nov 2025 04:57:56 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=8303</guid>

					<description><![CDATA[Diasporic Worldings is an experimental video that explores the experiences of people in the diaspora as they form and imagine relationships with land, place, territories, and ecosystems. It employs the term “diasporic” as an adjective to describe individuals who belong to a diaspora due to either forced or voluntary migration, and “worlding” as a creative&#8230;]]></description>
		
		
		
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		<title>Activist listening: insurgent decoloniality in times and spaces of violence, Freya Zinovieff, PhD 2024</title>
		<link>https://criticalmediartstudio.com/portfolio/activist-listening-insurgent-decoloniality-in-times-and-spaces-of-violence-freya-zinovieff-phd-2024/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Wed, 13 Aug 2025 22:32:38 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=8183</guid>

					<description><![CDATA[]]></description>
		
		
		
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		<title>sono(soro)ridades</title>
		<link>https://criticalmediartstudio.com/portfolio/sonosororidades/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Fri, 11 Oct 2024 00:50:12 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=6760</guid>

					<description><![CDATA[]]></description>
		
		
		
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		<title>&#8220;Tambadoras Dancing with the Palo River:&#8221; a research creation exploration of traditional gold mining in Colombia, Maira Cristina Castro Mina, MA 2024</title>
		<link>https://criticalmediartstudio.com/portfolio/tambadoras-dancing-with-the-palo-river-a-research-creation-exploration-of-traditional-gold-mining-in-colombia-maira-cristina-castro-mina-ma-2024/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Fri, 14 Jun 2024 21:39:40 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=8217</guid>

					<description><![CDATA[]]></description>
		
		
		
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		<title>Feminist Sonographies of Situated Listening</title>
		<link>https://criticalmediartstudio.com/portfolio/feminist-sonographies-of-situated-listening/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Wed, 12 Jun 2024 03:33:57 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=7193</guid>

					<description><![CDATA[The installation consists of a 54-minute soundtrack that is played through 10 radios that are placed on the floor in front of a graphic, a conceptual mapping, which showcases the research-practice connections between the sono(soro) members. The soundtrack weaves together a narration of our individual voice describing our approach to research-creation with sound and our sound ethnographies along with our collective voice. The sound script was printed and bound as a booklet and was made available to viewers as part of the installation.







As a member of the collective Amanda Gutiérrez was invited to participate in the group exhibition The Institution of Knowledge, a research-creation exhibition and symposium organized by Geoffrey Rockwell and Natalie Loveless presented at the FAB Gallery at the University of Alberta. As part of our ongoing work developing and enacting decolonial feminist methodologies in sound, Amanda brought the invitation to participate in The Institution of Knowledgeto the collective. We held several brainstorming sessions to work through ideas for the installation. In these (roughly) monthly meetings held via zoom we also discussed parallel projects that we were developing as a collective (an academic panel for LASA conference and a forthcoming book chapter). During the meetings, we also checked in on our personal lives and updated each other about our individual projects.

As a collective, we are supportive of each other’s practices, personal and professional commitments. Our collaborative method of listening and working together and with each other allows each of us to decide how involved we want to be in a project. Each of us decides what role to play (i.e. leading or supporting roles; individual roles; or simply opting out of a project depending on each member’s availability and resources).





The sound script is available here





Feminist Sonographies of Situated Listening was led and produced by Amanda Gutiérrez as part and is part of her PhD research on the political dimensions of sound and listening through collaborative research-creation methodologies]]></description>
		
		
		
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		<title>Tambadoras Dancing with the Palo River: A Research-Creation Exploration of Traditional Gold Mining in Colombia</title>
		<link>https://criticalmediartstudio.com/portfolio/tambadoras-dancing-with-the-palo-river-a-research-creation-exploration-of-traditional-gold-mining-in-colombia/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Fri, 05 Apr 2024 00:01:07 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=7621</guid>

					<description><![CDATA[In this project, Maira Cristina Castro Mina explores the traditional gold mining practices of Tambadoras, a group of Afro-Colombian women from Guachené, Colombia. Reflecting on the production of the video documentary Tambadoras Dancing with the Palo River (2022), Maira Cristina traces its development as the catalyst of an academic inquiry through the framework of research-creation.&#8230;]]></description>
		
		
		
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		<title>Latin American Video Art in the VIVO Media Arts Archive</title>
		<link>https://criticalmediartstudio.com/portfolio/latin-american-video-art-in-the-vivo-media-arts-archive/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Fri, 30 Jun 2023 00:32:13 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=8281</guid>

					<description><![CDATA[Latin American Video Art in the VIVO  Archive: A Response in dialogue with Gabriela Aceves Sepulveda’s research on Women Art and the Periphery An Archive/Counter Archive event. Part of the VIVO case study Gendered Violence: Responses &#38; Remediations. Held at VIVO Media Arts Centre, May 24, 2023. Taking VIVO’s documentation of Women Art and the Periphery (WAP) as a point&#8230;]]></description>
		
		
		
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		<title>Mitochondrial Ontologies: Deep Time and the Digital</title>
		<link>https://criticalmediartstudio.com/portfolio/mitochondrial-ontologies-deep-time-and-the-digital/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Tue, 28 Feb 2023 17:47:47 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=6945</guid>

					<description><![CDATA[]]></description>
		
		
		
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		<title>Cosmos</title>
		<link>https://criticalmediartstudio.com/portfolio/cosmos/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Tue, 28 Feb 2023 16:50:05 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=6977</guid>

					<description><![CDATA[Cosmos is a short video essay that reflects on the entanglements between humans and non-humans created by Matilda Aslizadeh and Gabriela Aceves Sepúlveda as part of Mitochondrial Ontologies: Deep Time and the Digital. The video combines excerpts from Arthur Bradley’s Originary Technicity (2011) with images and sounds generated by humans and non-humans. The text is&#8230;]]></description>
		
		
		
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