<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>research-creation &#8211; cMAS</title>
	<atom:link href="https://criticalmediartstudio.com/portfolio-category/research-creation/feed/" rel="self" type="application/rss+xml" />
	<link>https://criticalmediartstudio.com</link>
	<description>criticalmediartstudio &#124; School of Interactive Arts and Technology &#124; Simon Fraser University</description>
	<lastBuildDate>Thu, 14 May 2026 00:18:31 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.0</generator>
	<item>
		<title>Visual Indeterminacy as the Right to Opacity: Reactivating Abadan’s Archive through Small-Data Generative AI</title>
		<link>https://criticalmediartstudio.com/portfolio/visual-indeterminacy-as-the-right-to-opacity-reactivating-abadans-archive-through-small-data-generative-ai/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Thu, 14 May 2026 00:16:01 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/portfolio/visual-indeterminacy-as-the-right-to-opacity-reactivating-abadans-archive-through-small-data-generative-ai/</guid>

					<description><![CDATA[This project investigates how generative AI can reactivate the archival record of Abadan, an oil city in southwestern Iran shaped by British colonial oil development, within a research-creation framework. Drawing on postcolonial theory, media arts, and memory studies, the project mobilizes a small-data approach to generative AI, using the Autolume system to generate moving images&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Feminist Sonographies of Situated Listening</title>
		<link>https://criticalmediartstudio.com/portfolio/feminist-sonographies-of-situated-listening/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Wed, 12 Jun 2024 03:33:57 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=7193</guid>

					<description><![CDATA[The installation consists of a 54-minute soundtrack that is played through 10 radios that are placed on the floor in front of a graphic, a conceptual mapping, which showcases the research-practice connections between the sono(soro) members. The soundtrack weaves together a narration of our individual voice describing our approach to research-creation with sound and our sound ethnographies along with our collective voice. The sound script was printed and bound as a booklet and was made available to viewers as part of the installation.







As a member of the collective Amanda Gutiérrez was invited to participate in the group exhibition The Institution of Knowledge, a research-creation exhibition and symposium organized by Geoffrey Rockwell and Natalie Loveless presented at the FAB Gallery at the University of Alberta. As part of our ongoing work developing and enacting decolonial feminist methodologies in sound, Amanda brought the invitation to participate in The Institution of Knowledgeto the collective. We held several brainstorming sessions to work through ideas for the installation. In these (roughly) monthly meetings held via zoom we also discussed parallel projects that we were developing as a collective (an academic panel for LASA conference and a forthcoming book chapter). During the meetings, we also checked in on our personal lives and updated each other about our individual projects.

As a collective, we are supportive of each other’s practices, personal and professional commitments. Our collaborative method of listening and working together and with each other allows each of us to decide how involved we want to be in a project. Each of us decides what role to play (i.e. leading or supporting roles; individual roles; or simply opting out of a project depending on each member’s availability and resources).





The sound script is available here





Feminist Sonographies of Situated Listening was led and produced by Amanda Gutiérrez as part and is part of her PhD research on the political dimensions of sound and listening through collaborative research-creation methodologies]]></description>
		
		
		
			</item>
		<item>
		<title>Tambadoras Dancing with the Palo River: A Research-Creation Exploration of Traditional Gold Mining in Colombia</title>
		<link>https://criticalmediartstudio.com/portfolio/tambadoras-dancing-with-the-palo-river-a-research-creation-exploration-of-traditional-gold-mining-in-colombia/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Fri, 05 Apr 2024 00:01:07 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=7621</guid>

					<description><![CDATA[In this project, Maira Cristina Castro Mina explores the traditional gold mining practices of Tambadoras, a group of Afro-Colombian women from Guachené, Colombia. Reflecting on the production of the video documentary Tambadoras Dancing with the Palo River (2022), Maira Cristina traces its development as the catalyst of an academic inquiry through the framework of research-creation.&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Mitochondrial Ontologies: Deep Time and the Digital</title>
		<link>https://criticalmediartstudio.com/portfolio/mitochondrial-ontologies-deep-time-and-the-digital/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Tue, 28 Feb 2023 17:47:47 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=6945</guid>

					<description><![CDATA[]]></description>
		
		
		
			</item>
		<item>
		<title>Reading Diaspora/Reading Migration</title>
		<link>https://criticalmediartstudio.com/portfolio/reading-diaspora-reading-migration/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Mon, 31 Oct 2022 14:34:12 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=6913</guid>

					<description><![CDATA[Reading Diaspora / Reading Migration – is an interactive web project that responds to the voices of poets from Ghana and the Ghanaian Diaspora. The project was created by Catherine Pearce (concept and project director) and Rose Rouhani (interaction design), graduate students from the School of Interactive Art and Technology (SIAT), Simon Fraser University Surrey&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Creative Media Responses to Diasporic Writing</title>
		<link>https://criticalmediartstudio.com/portfolio/creative-media-responses-to-diasporic-writing/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Wed, 12 Jan 2022 01:51:18 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=6335</guid>

					<description><![CDATA[]]></description>
		
		
		
			</item>
		<item>
		<title>Mitochondrial Echoes: Computational Poetics</title>
		<link>https://criticalmediartstudio.com/portfolio/mitochondrial-echoes-computational-poetics/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Mon, 07 Jun 2021 06:11:39 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=6173</guid>

					<description><![CDATA[Mitochondrial Echoes: Computational Poetics is an immersive single-channel, AI driven poetic visual and auditory score. The artwork makes a unique contribution to the Art Machines 2 conference and research-creation processes by presenting AI built poetic stanzas that were further translated through sonic decay, video editing, and collective machinic interactive processes. Developed by Gabriela Aceves-Sepúlveda, Steve&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>La migración como método y tema de investigación- creación / Migration as theme and method for research-creation</title>
		<link>https://criticalmediartstudio.com/portfolio/la-migracion-como-metodo-y-tema-de-investigacion-creacion/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Tue, 01 Dec 2020 20:46:05 +0000</pubDate>
				<guid isPermaLink="false">http://criticalmediartstudio.com/?post_type=portfolio&#038;p=5933</guid>

					<description><![CDATA[]]></description>
		
		
		
			</item>
		<item>
		<title>Recurring Objects</title>
		<link>https://criticalmediartstudio.com/portfolio/recurring/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Fri, 15 Feb 2019 04:48:43 +0000</pubDate>
				<guid isPermaLink="false">http://criticalmediartstudio.com/?post_type=portfolio&#038;p=5137</guid>

					<description><![CDATA[]]></description>
		
		
		
			</item>
		<item>
		<title>Mothering Bacteria</title>
		<link>https://criticalmediartstudio.com/portfolio/mothering-bacteria/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Mon, 30 Jul 2018 19:50:36 +0000</pubDate>
				<guid isPermaLink="false">http://criticalmediartstudio.com/?post_type=portfolio&#038;p=4886</guid>

					<description><![CDATA[Mothering Bacteria is a durational interactive installation that explores maternal notions of caretaking bacteria that resides on and off the skin – and how we can hold symbiotic spaces for co-becoming other. Building on what Butoh dancer Iwana Masaki describes as a process of extricating pure life from our bodies, artists Gabriela Aceves-Sepulveda, prOphecy sun&#8230;]]></description>
		
		
		
			</item>
	</channel>
</rss>
