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	<title>Installation &#8211; cMAS</title>
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	<description>criticalmediartstudio &#124; School of Interactive Arts and Technology &#124; Simon Fraser University</description>
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		<title>Diasporic Worldings</title>
		<link>https://criticalmediartstudio.com/portfolio/diasporic-worldings/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Mon, 17 Nov 2025 04:57:56 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=8303</guid>

					<description><![CDATA[Diasporic Worldings is an experimental video that explores the experiences of people in the diaspora as they form and imagine relationships with land, place, territories, and ecosystems. It employs the term “diasporic” as an adjective to describe individuals who belong to a diaspora due to either forced or voluntary migration, and “worlding” as a creative&#8230;]]></description>
		
		
		
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		<title>Feminist Sonographies of Situated Listening</title>
		<link>https://criticalmediartstudio.com/portfolio/feminist-sonographies-of-situated-listening/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Wed, 12 Jun 2024 03:33:57 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=7193</guid>

					<description><![CDATA[The installation consists of a 54-minute soundtrack that is played through 10 radios that are placed on the floor in front of a graphic, a conceptual mapping, which showcases the research-practice connections between the sono(soro) members. The soundtrack weaves together a narration of our individual voice describing our approach to research-creation with sound and our sound ethnographies along with our collective voice. The sound script was printed and bound as a booklet and was made available to viewers as part of the installation.







As a member of the collective Amanda Gutiérrez was invited to participate in the group exhibition The Institution of Knowledge, a research-creation exhibition and symposium organized by Geoffrey Rockwell and Natalie Loveless presented at the FAB Gallery at the University of Alberta. As part of our ongoing work developing and enacting decolonial feminist methodologies in sound, Amanda brought the invitation to participate in The Institution of Knowledgeto the collective. We held several brainstorming sessions to work through ideas for the installation. In these (roughly) monthly meetings held via zoom we also discussed parallel projects that we were developing as a collective (an academic panel for LASA conference and a forthcoming book chapter). During the meetings, we also checked in on our personal lives and updated each other about our individual projects.

As a collective, we are supportive of each other’s practices, personal and professional commitments. Our collaborative method of listening and working together and with each other allows each of us to decide how involved we want to be in a project. Each of us decides what role to play (i.e. leading or supporting roles; individual roles; or simply opting out of a project depending on each member’s availability and resources).





The sound script is available here





Feminist Sonographies of Situated Listening was led and produced by Amanda Gutiérrez as part and is part of her PhD research on the political dimensions of sound and listening through collaborative research-creation methodologies]]></description>
		
		
		
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		<title>Mitochondrial Ontologies: Deep Time and the Digital</title>
		<link>https://criticalmediartstudio.com/portfolio/mitochondrial-ontologies-deep-time-and-the-digital/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Tue, 28 Feb 2023 17:47:47 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=6945</guid>

					<description><![CDATA[]]></description>
		
		
		
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		<title>Body as Border: Traces and Flows of Connection</title>
		<link>https://criticalmediartstudio.com/portfolio/6407/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Tue, 01 Feb 2022 22:56:11 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=6407</guid>

					<description><![CDATA[Body as Border: Traces and Flow of Connections (2022) prOphecy sun, Freya Zinovieff, Gabriela Aceves Sepúlveda and Steve DiPaola]]></description>
		
		
		
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		<title>Bio-Digital Borders: Bacteria and the Micro Cosmos</title>
		<link>https://criticalmediartstudio.com/portfolio/bio-digital-borders-bacteria-and-the-micro-cosmos-2022/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Tue, 01 Feb 2022 21:19:55 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=6386</guid>

					<description><![CDATA[]]></description>
		
		
		
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		<title>Mitochondrial Echoes: Computational Poetics</title>
		<link>https://criticalmediartstudio.com/portfolio/mitochondrial-echoes-computational-poetics/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Mon, 07 Jun 2021 06:11:39 +0000</pubDate>
				<guid isPermaLink="false">https://criticalmediartstudio.com/?post_type=portfolio&#038;p=6173</guid>

					<description><![CDATA[Mitochondrial Echoes: Computational Poetics is an immersive single-channel, AI driven poetic visual and auditory score. The artwork makes a unique contribution to the Art Machines 2 conference and research-creation processes by presenting AI built poetic stanzas that were further translated through sonic decay, video editing, and collective machinic interactive processes. Developed by Gabriela Aceves-Sepúlveda, Steve&#8230;]]></description>
		
		
		
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		<title>Mothering Bacteria</title>
		<link>https://criticalmediartstudio.com/portfolio/mothering-bacteria/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Mon, 30 Jul 2018 19:50:36 +0000</pubDate>
				<guid isPermaLink="false">http://criticalmediartstudio.com/?post_type=portfolio&#038;p=4886</guid>

					<description><![CDATA[Mothering Bacteria is a durational interactive installation that explores maternal notions of caretaking bacteria that resides on and off the skin – and how we can hold symbiotic spaces for co-becoming other. Building on what Butoh dancer Iwana Masaki describes as a process of extricating pure life from our bodies, artists Gabriela Aceves-Sepulveda, prOphecy sun&#8230;]]></description>
		
		
		
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		<title>Making Pancakes</title>
		<link>https://criticalmediartstudio.com/portfolio/making-pancakes/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Fri, 25 Aug 2017 21:23:26 +0000</pubDate>
				<guid isPermaLink="false">http://criticalmediartstudio.com/?post_type=portfolio&#038;p=4609</guid>

					<description><![CDATA[In Making Pancakes, Alejandra Bronfman cooks the recipe Cakes para el Desayuno that was handwritten by my great grandmother Mamá Pina. Along with her mother, Marisa Bronfman, her daughters Maya and Nina Dawson, and her partner Alec Dawson as the videographer, Bronfman sets up a family gathering were three different generations participate in the making&#8230;]]></description>
		
		
		
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		<title>Witnessing (digital project)</title>
		<link>https://criticalmediartstudio.com/portfolio/witnessing-digital-project/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Fri, 21 Jul 2017 20:49:18 +0000</pubDate>
				<guid isPermaLink="false">http://criticalmediartstudio.com/?post_type=portfolio&#038;p=4498</guid>

					<description><![CDATA[“Witnessing” is a creative project and collaborative response to a recent exhibit, “Witness,” at the New Media Gallery (New Westminster, Canada) that included the works of Adam Basanta, Rafael Lozano-Hemmer, France Cadet, Bjorn Schulke and Stanza. Graduate students in the Critical Media Arts Studio (cMAS) at Simon Fraser University’s School of Interactive Arts and Technology&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Witnessing (multimedia installation)</title>
		<link>https://criticalmediartstudio.com/portfolio/witnessing/</link>
		
		<dc:creator><![CDATA[gabriela]]></dc:creator>
		<pubDate>Fri, 20 Jan 2017 18:53:01 +0000</pubDate>
				<guid isPermaLink="false">http://criticalmediartstudio.com/?post_type=portfolio&#038;p=4354</guid>

					<description><![CDATA[The web-based project, “Witnessing,” was designed by Jo Shin, Frederico Machuca and Xavier Wu as a final research-creation project in Dr. Gabriela Aceves Sepulveda’s SIAT New Media graduate seminar.  Dr. Hannah Turner, a postdoctoral fellow in Dr. Kate Hennessy&#8217;s Making Culture Lab, curated and led the development of several iterations of the project. &#8220;Witnessing&#8221; consists&#8230;]]></description>
		
		
		
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